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680 lines
15 KiB
Plaintext
680 lines
15 KiB
Plaintext
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ACT V
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SCENE I. A churchyard.
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Enter two Clowns, with spades, & c
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First Clown
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Is she to be buried in Christian burial that
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wilfully seeks her own salvation?
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Second Clown
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I tell thee she is: and therefore make her grave
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straight: the crowner hath sat on her, and finds it
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Christian burial.
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First Clown
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How can that be, unless she drowned herself in her
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own defence?
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Second Clown
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Why, 'tis found so.
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First Clown
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It must be 'se offendendo;' it cannot be else. For
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here lies the point: if I drown myself wittingly,
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it argues an act: and an act hath three branches: it
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is, to act, to do, to perform: argal, she drowned
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herself wittingly.
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Second Clown
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Nay, but hear you, goodman delver,--
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First Clown
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Give me leave. Here lies the water; good: here
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stands the man; good; if the man go to this water,
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and drown himself, it is, will he, nill he, he
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goes,--mark you that; but if the water come to him
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and drown him, he drowns not himself: argal, he
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that is not guilty of his own death shortens not his own life.
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Second Clown
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But is this law?
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First Clown
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Ay, marry, is't; crowner's quest law.
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Second Clown
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Will you ha' the truth on't? If this had not been
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a gentlewoman, she should have been buried out o'
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Christian burial.
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First Clown
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Why, there thou say'st: and the more pity that
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great folk should have countenance in this world to
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drown or hang themselves, more than their even
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Christian. Come, my spade. There is no ancient
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gentleman but gardeners, ditchers, and grave-makers:
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they hold up Adam's profession.
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Second Clown
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Was he a gentleman?
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First Clown
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He was the first that ever bore arms.
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Second Clown
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Why, he had none.
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First Clown
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What, art a heathen? How dost thou understand the
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Scripture? The Scripture says 'Adam digged:'
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could he dig without arms? I'll put another
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question to thee: if thou answerest me not to the
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purpose, confess thyself--
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Second Clown
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Go to.
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First Clown
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What is he that builds stronger than either the
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mason, the shipwright, or the carpenter?
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Second Clown
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The gallows-maker; for that frame outlives a
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thousand tenants.
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First Clown
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I like thy wit well, in good faith: the gallows
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does well; but how does it well? it does well to
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those that do in: now thou dost ill to say the
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gallows is built stronger than the church: argal,
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the gallows may do well to thee. To't again, come.
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Second Clown
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'Who builds stronger than a mason, a shipwright, or
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a carpenter?'
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First Clown
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Ay, tell me that, and unyoke.
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Second Clown
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Marry, now I can tell.
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First Clown
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To't.
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Second Clown
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Mass, I cannot tell.
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Enter HAMLET and HORATIO, at a distance
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First Clown
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Cudgel thy brains no more about it, for your dull
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ass will not mend his pace with beating; and, when
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you are asked this question next, say 'a
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grave-maker: 'the houses that he makes last till
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doomsday. Go, get thee to Yaughan: fetch me a
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stoup of liquor.
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Exit Second Clown
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He digs and sings
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In youth, when I did love, did love,
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Methought it was very sweet,
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To contract, O, the time, for, ah, my behove,
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O, methought, there was nothing meet.
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HAMLET
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Has this fellow no feeling of his business, that he
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sings at grave-making?
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HORATIO
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Custom hath made it in him a property of easiness.
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HAMLET
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'Tis e'en so: the hand of little employment hath
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the daintier sense.
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First Clown
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[Sings]
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But age, with his stealing steps,
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Hath claw'd me in his clutch,
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And hath shipped me intil the land,
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As if I had never been such.
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Throws up a skull
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HAMLET
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That skull had a tongue in it, and could sing once:
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how the knave jowls it to the ground, as if it were
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Cain's jaw-bone, that did the first murder! It
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might be the pate of a politician, which this ass
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now o'er-reaches; one that would circumvent God,
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might it not?
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HORATIO
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It might, my lord.
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HAMLET
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Or of a courtier; which could say 'Good morrow,
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sweet lord! How dost thou, good lord?' This might
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be my lord such-a-one, that praised my lord
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such-a-one's horse, when he meant to beg it; might it not?
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HORATIO
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Ay, my lord.
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HAMLET
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Why, e'en so: and now my Lady Worm's; chapless, and
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knocked about the mazzard with a sexton's spade:
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here's fine revolution, an we had the trick to
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see't. Did these bones cost no more the breeding,
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but to play at loggats with 'em? mine ache to think on't.
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First Clown
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[Sings]
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A pick-axe, and a spade, a spade,
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For and a shrouding sheet:
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O, a pit of clay for to be made
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For such a guest is meet.
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Throws up another skull
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HAMLET
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There's another: why may not that be the skull of a
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lawyer? Where be his quiddities now, his quillets,
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his cases, his tenures, and his tricks? why does he
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suffer this rude knave now to knock him about the
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sconce with a dirty shovel, and will not tell him of
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his action of battery? Hum! This fellow might be
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in's time a great buyer of land, with his statutes,
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his recognizances, his fines, his double vouchers,
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his recoveries: is this the fine of his fines, and
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the recovery of his recoveries, to have his fine
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pate full of fine dirt? will his vouchers vouch him
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no more of his purchases, and double ones too, than
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the length and breadth of a pair of indentures? The
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very conveyances of his lands will hardly lie in
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this box; and must the inheritor himself have no more, ha?
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HORATIO
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Not a jot more, my lord.
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HAMLET
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Is not parchment made of sheepskins?
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HORATIO
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Ay, my lord, and of calf-skins too.
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HAMLET
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They are sheep and calves which seek out assurance
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in that. I will speak to this fellow. Whose
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grave's this, sirrah?
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First Clown
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Mine, sir.
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Sings
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O, a pit of clay for to be made
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For such a guest is meet.
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HAMLET
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I think it be thine, indeed; for thou liest in't.
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First Clown
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You lie out on't, sir, and therefore it is not
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yours: for my part, I do not lie in't, and yet it is mine.
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HAMLET
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'Thou dost lie in't, to be in't and say it is thine:
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'tis for the dead, not for the quick; therefore thou liest.
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First Clown
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'Tis a quick lie, sir; 'twill away gain, from me to
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you.
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HAMLET
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What man dost thou dig it for?
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First Clown
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For no man, sir.
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HAMLET
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What woman, then?
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First Clown
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For none, neither.
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HAMLET
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Who is to be buried in't?
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First Clown
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One that was a woman, sir; but, rest her soul, she's dead.
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HAMLET
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How absolute the knave is! we must speak by the
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card, or equivocation will undo us. By the Lord,
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Horatio, these three years I have taken a note of
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it; the age is grown so picked that the toe of the
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peasant comes so near the heel of the courtier, he
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gaffs his kibe. How long hast thou been a
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grave-maker?
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First Clown
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Of all the days i' the year, I came to't that day
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that our last king Hamlet overcame Fortinbras.
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HAMLET
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How long is that since?
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First Clown
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Cannot you tell that? every fool can tell that: it
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was the very day that young Hamlet was born; he that
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is mad, and sent into England.
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HAMLET
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Ay, marry, why was he sent into England?
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First Clown
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Why, because he was mad: he shall recover his wits
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there; or, if he do not, it's no great matter there.
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HAMLET
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Why?
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First Clown
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'Twill, a not be seen in him there; there the men
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are as mad as he.
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HAMLET
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How came he mad?
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First Clown
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Very strangely, they say.
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HAMLET
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How strangely?
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First Clown
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Faith, e'en with losing his wits.
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HAMLET
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Upon what ground?
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First Clown
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Why, here in Denmark: I have been sexton here, man
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and boy, thirty years.
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HAMLET
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How long will a man lie i' the earth ere he rot?
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First Clown
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I' faith, if he be not rotten before he die--as we
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have many pocky corses now-a-days, that will scarce
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hold the laying in--he will last you some eight year
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or nine year: a tanner will last you nine year.
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HAMLET
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Why he more than another?
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First Clown
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Why, sir, his hide is so tanned with his trade, that
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he will keep out water a great while; and your water
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is a sore decayer of your whoreson dead body.
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Here's a skull now; this skull has lain in the earth
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three and twenty years.
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HAMLET
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Whose was it?
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First Clown
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A whoreson mad fellow's it was: whose do you think it was?
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HAMLET
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Nay, I know not.
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First Clown
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A pestilence on him for a mad rogue! a' poured a
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flagon of Rhenish on my head once. This same skull,
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sir, was Yorick's skull, the king's jester.
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HAMLET
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This?
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First Clown
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E'en that.
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HAMLET
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Let me see.
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Takes the skull
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Alas, poor Yorick! I knew him, Horatio: a fellow
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of infinite jest, of most excellent fancy: he hath
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borne me on his back a thousand times; and now, how
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abhorred in my imagination it is! my gorge rims at
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it. Here hung those lips that I have kissed I know
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not how oft. Where be your gibes now? your
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gambols? your songs? your flashes of merriment,
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that were wont to set the table on a roar? Not one
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now, to mock your own grinning? quite chap-fallen?
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Now get you to my lady's chamber, and tell her, let
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her paint an inch thick, to this favour she must
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come; make her laugh at that. Prithee, Horatio, tell
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me one thing.
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HORATIO
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What's that, my lord?
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HAMLET
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Dost thou think Alexander looked o' this fashion i'
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the earth?
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HORATIO
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E'en so.
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HAMLET
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And smelt so? pah!
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Puts down the skull
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HORATIO
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E'en so, my lord.
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HAMLET
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To what base uses we may return, Horatio! Why may
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not imagination trace the noble dust of Alexander,
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till he find it stopping a bung-hole?
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HORATIO
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'Twere to consider too curiously, to consider so.
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HAMLET
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No, faith, not a jot; but to follow him thither with
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modesty enough, and likelihood to lead it: as
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thus: Alexander died, Alexander was buried,
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Alexander returneth into dust; the dust is earth; of
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earth we make loam; and why of that loam, whereto he
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was converted, might they not stop a beer-barrel?
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Imperious Caesar, dead and turn'd to clay,
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Might stop a hole to keep the wind away:
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O, that that earth, which kept the world in awe,
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Should patch a wall to expel the winter flaw!
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But soft! but soft! aside: here comes the king.
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Enter Priest, & c. in procession; the Corpse of OPHELIA, LAERTES and Mourners following; KING CLAUDIUS, QUEEN GERTRUDE, their trains, & c
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The queen, the courtiers: who is this they follow?
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And with such maimed rites? This doth betoken
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The corse they follow did with desperate hand
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Fordo its own life: 'twas of some estate.
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Couch we awhile, and mark.
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Retiring with HORATIO
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LAERTES
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What ceremony else?
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HAMLET
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That is Laertes,
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A very noble youth: mark.
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LAERTES
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What ceremony else?
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First Priest
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Her obsequies have been as far enlarged
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As we have warrantise: her death was doubtful;
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And, but that great command o'ersways the order,
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She should in ground unsanctified have lodged
|
||
|
Till the last trumpet: for charitable prayers,
|
||
|
Shards, flints and pebbles should be thrown on her;
|
||
|
Yet here she is allow'd her virgin crants,
|
||
|
Her maiden strewments and the bringing home
|
||
|
Of bell and burial.
|
||
|
|
||
|
LAERTES
|
||
|
|
||
|
Must there no more be done?
|
||
|
|
||
|
First Priest
|
||
|
|
||
|
No more be done:
|
||
|
We should profane the service of the dead
|
||
|
To sing a requiem and such rest to her
|
||
|
As to peace-parted souls.
|
||
|
|
||
|
LAERTES
|
||
|
|
||
|
Lay her i' the earth:
|
||
|
And from her fair and unpolluted flesh
|
||
|
May violets spring! I tell thee, churlish priest,
|
||
|
A ministering angel shall my sister be,
|
||
|
When thou liest howling.
|
||
|
|
||
|
HAMLET
|
||
|
|
||
|
What, the fair Ophelia!
|
||
|
|
||
|
QUEEN GERTRUDE
|
||
|
|
||
|
Sweets to the sweet: farewell!
|
||
|
|
||
|
Scattering flowers
|
||
|
I hoped thou shouldst have been my Hamlet's wife;
|
||
|
I thought thy bride-bed to have deck'd, sweet maid,
|
||
|
And not have strew'd thy grave.
|
||
|
|
||
|
LAERTES
|
||
|
|
||
|
O, treble woe
|
||
|
Fall ten times treble on that cursed head,
|
||
|
Whose wicked deed thy most ingenious sense
|
||
|
Deprived thee of! Hold off the earth awhile,
|
||
|
Till I have caught her once more in mine arms:
|
||
|
|
||
|
Leaps into the grave
|
||
|
Now pile your dust upon the quick and dead,
|
||
|
Till of this flat a mountain you have made,
|
||
|
To o'ertop old Pelion, or the skyish head
|
||
|
Of blue Olympus.
|
||
|
|
||
|
HAMLET
|
||
|
|
||
|
[Advancing] What is he whose grief
|
||
|
Bears such an emphasis? whose phrase of sorrow
|
||
|
Conjures the wandering stars, and makes them stand
|
||
|
Like wonder-wounded hearers? This is I,
|
||
|
Hamlet the Dane.
|
||
|
|
||
|
Leaps into the grave
|
||
|
|
||
|
LAERTES
|
||
|
|
||
|
The devil take thy soul!
|
||
|
|
||
|
Grappling with him
|
||
|
|
||
|
HAMLET
|
||
|
|
||
|
Thou pray'st not well.
|
||
|
I prithee, take thy fingers from my throat;
|
||
|
For, though I am not splenitive and rash,
|
||
|
Yet have I something in me dangerous,
|
||
|
Which let thy wiseness fear: hold off thy hand.
|
||
|
|
||
|
KING CLAUDIUS
|
||
|
|
||
|
Pluck them asunder.
|
||
|
|
||
|
QUEEN GERTRUDE
|
||
|
|
||
|
Hamlet, Hamlet!
|
||
|
|
||
|
All
|
||
|
|
||
|
Gentlemen,--
|
||
|
|
||
|
HORATIO
|
||
|
|
||
|
Good my lord, be quiet.
|
||
|
|
||
|
The Attendants part them, and they come out of the grave
|
||
|
|
||
|
HAMLET
|
||
|
|
||
|
Why I will fight with him upon this theme
|
||
|
Until my eyelids will no longer wag.
|
||
|
|
||
|
QUEEN GERTRUDE
|
||
|
|
||
|
O my son, what theme?
|
||
|
|
||
|
HAMLET
|
||
|
|
||
|
I loved Ophelia: forty thousand brothers
|
||
|
Could not, with all their quantity of love,
|
||
|
Make up my sum. What wilt thou do for her?
|
||
|
|
||
|
KING CLAUDIUS
|
||
|
|
||
|
O, he is mad, Laertes.
|
||
|
|
||
|
QUEEN GERTRUDE
|
||
|
|
||
|
For love of God, forbear him.
|
||
|
|
||
|
HAMLET
|
||
|
|
||
|
'Swounds, show me what thou'lt do:
|
||
|
Woo't weep? woo't fight? woo't fast? woo't tear thyself?
|
||
|
Woo't drink up eisel? eat a crocodile?
|
||
|
I'll do't. Dost thou come here to whine?
|
||
|
To outface me with leaping in her grave?
|
||
|
Be buried quick with her, and so will I:
|
||
|
And, if thou prate of mountains, let them throw
|
||
|
Millions of acres on us, till our ground,
|
||
|
Singeing his pate against the burning zone,
|
||
|
Make Ossa like a wart! Nay, an thou'lt mouth,
|
||
|
I'll rant as well as thou.
|
||
|
|
||
|
QUEEN GERTRUDE
|
||
|
|
||
|
This is mere madness:
|
||
|
And thus awhile the fit will work on him;
|
||
|
Anon, as patient as the female dove,
|
||
|
When that her golden couplets are disclosed,
|
||
|
His silence will sit drooping.
|
||
|
|
||
|
HAMLET
|
||
|
|
||
|
Hear you, sir;
|
||
|
What is the reason that you use me thus?
|
||
|
I loved you ever: but it is no matter;
|
||
|
Let Hercules himself do what he may,
|
||
|
The cat will mew and dog will have his day.
|
||
|
|
||
|
Exit
|
||
|
|
||
|
KING CLAUDIUS
|
||
|
|
||
|
I pray you, good Horatio, wait upon him.
|
||
|
|
||
|
Exit HORATIO
|
||
|
|
||
|
To LAERTES
|
||
|
Strengthen your patience in our last night's speech;
|
||
|
We'll put the matter to the present push.
|
||
|
Good Gertrude, set some watch over your son.
|
||
|
This grave shall have a living monument:
|
||
|
An hour of quiet shortly shall we see;
|
||
|
Till then, in patience our proceeding be.
|
||
|
|
||
|
Exeunt
|